January 2022 begins with some abstract works on paper using archival colored inks






I was so pleased to hear from an old friend from my ski racing years- Crandy Grant.
Crandy and I have kept in touch on social media where he follows my artwork via Carol Skinger Artworks.
In recent years Crandy built a delightful cabin on land his family owned in VT for many decades. He involved the younger generations of his family to help in construction and I feel sure they built some great memories together.

In the beginning of 2021 while the whole country was still dealing with the COVID shut down, I heard from Crandy through my contact page that he’d like to commission me to make a watercolor of the cabin on the lake. I do that.
Crandy is an ideal client: “I have been very impressed with your work and I’m especially fond of watercolors. My preference would be to leave you completely on your own for sizing, colors and however you feel best to depict this scene“.
I have to say I am very lucky that many clients feel this way and I appreciate it.
I made two paintings for Crandy in the end as I got stuck at a certain stage! Wondering how to proceed, I started a 2nd painting showing the cabin in winter. In the end both paintings came together, I sent both and he loved them. We agreed that one day my husband and I will come spend a night or two in the cabin.
It’s fitting that we connected over a cabin. My big experience with Crandy was in 1968 when he and Greg McClallen were the ski coaches for a small band of ski racers from VT including me, and we drove from VT to Colorado and stayed at the Tagert Hut 17 miles from Aspen. We drove out in 3 cars, one of them our VW bus. Parents out there, would you let your 16 year old with 2 month old driver’s license take one of the cars and do this? Grateful to my brave and independent mother!
Tagert Hut, an A-frame was located up a dirt road full of switch backs high above Ashcroft which is on Castle Creek Road. This was June of 1968. The hut was built in 1960 and it was under the care of John Holden in the 1960’s. He and his wife Anne had been faculty members at the Putney School in Vermont and they started Colorado Rocky Mountain School in nearby Carbondale in the 50s. I had been a student there for 8 weeks the previous summer.
When fellow ski racer Bill Farrell and I decided to get up before dawn at Tagert Hut and hike or hitch our way to the only ski race of the summer at Montezuma Basin, I recognized the Holden’s right away when they picked us up. Like Tuckerman’s Ravine there was no lift at Montezuma Basin so we both hiked the course with everyone and studied it on the way to the starting gate. I won! Greg and Crandy’s training camp was a great help. I was trying to move from a ‘B’ to ‘A’ classification and winning that race was the first of several to cinch leap.

Tagert Hut – Colorado 1968
Here is my summer painting of Crandy’s cabin which I started first and finished after completing the winter painting. If you drew a line west from there you’d be on lower part of Lake Champlain and to west of that, Lake George. The low mountains you see are in NY state. I look forward to seeing it.

Many thanks for the interesting commission Crandy. It’s one of the things that made my COVID winter of 2021 memorable in a good way.
I was working on one of the paintings when I took a break and watched a (virtual) Red Bench talk via Vermont Ski and Snowboard Museum in Stowe. It was titled Nose Dive- A History of Mt. Mansfield’s Famous Trail. Guess what? The 1967 Jr. National Alpine Championship Downhill on the Nosedive was THE LAST important National or International race on the Nosedive, that cold day in March ’67 when you won the Men’s Downhill and my sister Erica Skinger won the Women’s Downhill (and she won the overall Women’s title). So you both get that piece of Nosedive history.
Love this 1935 photo showing the Nosedive when that’s all you could see, 5 years before the single chair opened.


I’m going to describe best practices for framing here but caution you that using these methods is expensive. I myself sometimes use these methods for art in my own home and sometimes I don’t. Not everything needs to be handled this way. Not everything needs to last for 100 years. In short, if you have art or prints you have hidden in a drawer because you cannot afford museum grade framing, maybe you need to rethink the plan so you can enjoy the art you own now.
Archival framing methods are the way to go, which means 100% kozo paper hinges, 100% cotton rag, acid and lining free, alkaline pH buffered 4-ply mattes, and conservation glass or Plexiglas.
You can also go with plastic corner mounts and hinge the top matte to an acid-free foam core backing with acid free linen hinges.
There is some back and forth on buffered and non-buffered matte board, but with concerns about general acidity of the air, using buffered matte board is the more conservative method.
I have always found Japanese paper hinges (using rice starch paste) a real pain to work with, so I tend to use a middle ground:
For something that you want to be long lasting as well as reversible (so the owner can have the print or art re-matted later, etc. if so desired) you will want to avoid dry/cold mount methods.
If you insist of entire adhesion to backing for a totally smooth appearance, digital prints should probably not be heat mounted. Ask your framer or reprographics professional. In Pittsburgh, that is Modern Reproductions and Tristate. But lets face it lots of things can be fully mounted.
Pictureframes.com has a “personal frame shop” on their top header. This is a great way to try on mats and frames and you can even select a wall color behind the framed art. You have to upload an image from your computer. Because color can appear differently on a screen than it does in reality I still suggest using a local framer. In the Pittsburgh area I like (in no particular order) Boxheart Gallery, James Gallery , Framezilla , and Panza Frame and Gallery. And I think you should not feel embarrassed to take your big discount coupon to Michaels as well. They have archival and museum glass too.
If you decide to have any of my work framed via an online framing business, you must take the dimensions from my actual art once you receive it and not from my “approximate dimensions” listed for each piece.
Framing is up to you! Yes archival framing is best but expensive, just do what you can to get art on your walls and enjoy it!
A few of my custom house portraits. Contact me for an estimate. I use watercolor and gouache which is opaque watercolor.























Looking for artwork that is primarily the color green? First two are my paintings of contemporary sculpture at Hartwood Acres Sculpture Garden. Originals and prints are available.

12″ x 12″ archival glicee print on watercolor paper. White paper border surrounding image is 3/4″ . Contact me
$55 per one print.
$85. for 2 -12″ x 12″ prints.

12″ x 12″ archival glicee print on watercolor paper. White paper border surrounding image is 3/4″ .
$55 per one print.
$85. for 2 -12″ x 12″ prints.
A very reasonable way to frame these two 12″ x 12″ prints – Ikea has a 19 3/4″ x 19 3/4″ Ribba frame (materials non archival) with generous white mat for $14.99 at this time of writing in white or black
They each fit perfectly in this simple contemporary frame. Contact me
Can be printed larger.

Schenley Park Illustrated Map – Contact me
19″ x 19″ -$50
30″ x 30″ – $120

12″ x 16″ Print $75. Contact me for a print with shipping or delivery included.
Archival glicee print on watercolor paper with 3/4″ border. Can be printed larger or smaller.
About the site in the painting: Goat Rodeo Farm & Dairy is a 130 acre family owned farm located near Pittsburgh, PA in northern Allegheny County.
They have a herd of more than 100 alpine and Nubian dairy goats and bring in cow’s milk from Le-Ara Farms to make a variety of fresh and aged cheeses using traditional techniques for artisan cheese production.

Thank you so much ladies for buying my painting! They are holding the original 12″ x 18″ painting after deciding for sure and I’m thrilled they loved it. I painted this watercolor in January 2019 along with many others on the theme of ‘goats’ (here). It was my first time as a participant in Fun a Day Pittsburgh which is a month long creativity project in the month of January in Pittsburgh which culminates in a show.
In 2020 I did it again and I had a new theme: ‘paintings and drawings to include sculpture’. See it all here.
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Carol Skinger. All Rights Reserved.