Carol Skinger

Mt. Mansfield

This is painting of Mt. Mansfield from the Stowe, VT side. It's a frontal view showing the profile of Mt. Mansfield, above tree line, where it's white (snow) with black accents. Below tree line you can see the tops of several snow covered ski trails. The sky above is a brilliant deep blue cascading in sheets, almost imitating the northern lights.
Mt, Mansfield copyright by Carol Skinger

Mt. Mansfield Print 8 1/2″ x 19 1/2″ print includes a white 1/2″ border.

Printed on Hahnemühle Bamboo paper $50 includes packing and shipping shipping in US.

Prior to the mid-eighteenth century, the mountain was known by its Abenaki name, Mozôdebiwajok which translates to Moosehead Mountain.

Painting of Mt. Mansfield in Stowe, VT

I developed the original art by first painting the sky with Dr. P.H.Martin’s archival ink. Specifically the sky is painted with a pigment based “Ocean Fountain Pen Ink‘, a lightfast, archival, brilliant, fine artist pigment liquid color on watercolor paper.

When dry, I free-hand painted a winter scene of the profile of Mt. Mansfield in Holbein Acrylic Gouache, a water based paint which is of professional quality, lightfast, finely ground pigment plus acrylic binder.

What you mostly see of Mt. Mansfield is the part above tree line and you also see the tops of several ski trails coming from both the Octagon and the Cliff House. If you look closely you can see the blue coming through where I scratched through the black gouache, to get some forest like dimension.

People have said the way the brilliant blue sky is painted reminds them of the Northern Lights. The original painting is now in Wyoming after it was auctioned in June 2025 as part of a fundraiser for the Stowe High School Alumni Group at an alumni banquet. The owner of the painting is Mary Beth Quinn, who was from Stowe, ski raced for Mount Mansfield Ski Club, Burke Mountain Academy and UVM where Marilyn Cochran was her coach. As Ski School Director at Virginia’s Wintergreen Resort she was quoted in the Washington Post in 1998 . Congratulations Mary Beth. I know how much you hoped to have the painting!

I’m showing this print along with several other original paintings of Mt. Mansfield in a group show of The Pittsburgh Group in Sewickely, PA in Feb and March 2026 at Sweetwater Center for the Arts.

I wrote about that show and the paintings here if you want to see them.

The BEST painting I ever saw of Mt. Mansfield titled The Belated Party on Mt. Mansfield was painted in 1858 by Jerome Thompson. Go to the Metropolitan Museum of Art, American Wing to see it.

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Stain and Flow Abstract Ink

Imaginary Landscape 10
Imaginary Landscape 10

New abstract works on Arches paper. Water plus archival inks.

Working title ‘Don’t Look Up’ series. These are quite small in scale so far.

Horizontal abstract painting in blues, reddish brown and an ochre-like yellow on white paper. It’s a ‘wet-in-wet watercolor’ style, showing much flowing of color into each other or into white areas. The painting is done in permanent archival inks. The colored inks separate much like watercolor. The large amount of pigment in the colored inks move beautifully in water before it dries. www.carolskinger.com
Imaginary Landscape 07 by Carol Skinger

Horizontally divided abstract painting in 3 zones on paper. Above the horizon is mostly pale sepia flowing to darker brown, including small bits of bright orange. Next zone at the center area is white. Below the white zone a mostly deep cool green and deep blue color flowing into white area at center. It’s a flowing ‘wet-in-wet watercolor’ style. The media is not watercolor but rather it is done permanent archival inks. The colored inks separate much like watercolor. The large amount of pigment in the colored inks move beautifully in water below it dries. www.carolskinger.com
Imaginary Landscape 05 by Carol Skinger

Horizontally divided abstract painting on paper. Above the horizon a mostly pale light beige color flows into smaller amount of darker brown. Below the horizon is mostly darker, then lighter blue with white flowing into it. The white area appears as a flowing white zone in center horizon. It’s a ‘wet-in-wet watercolor’ style, showing much flowing of color into each other or into white areas. The painting is done in permanent archival inks. The colored inks separate much like watercolor. The large amount of pigment in the colored inks move beautifully in water before it dries. www.carolskinger.com
Imaginary Landscape 02 by Carol Skinger

Horizontally divided abstract painting on paper. Above the horizon is mostly blue with white flowing into it. Below the horizon a mostly pale light beige color flows into smaller amount of darker brown. It’s a flowing ‘wet-in-wet watercolor’ style. The painting is done in permanent archival inks. The colored inks separate much like watercolor. The large amount of pigment in the colored inks move beautifully in water before it dries. www.carolskinger.com
Imaginary Landscape 02 by Carol Skinger

Horizontally divided abstract painting in 3 zones on paper. Above the horizon is mostly blue with white flowing into it. Next zone at the center area is white. Below the white zone is mostly darker brown with pale sepia flowing into it with small bits of bright orange. It’s a flowing ‘wet-in-wet watercolor’ style. The media is not watercolor but rather it is done permanent archival inks. The colored inks separate much like watercolor. The large amount of pigment in the colored inks move beautifully in water before it dries. www.carolskinger.com
Imaginary Landscape 04 by Carol Skinger

Horizontally divided abstract painting in 2 zones on paper. Above the horizon is white paper with diagonal yellow orange rectangular shape intruding. Below is stained din eep blue in shades from lighter to darker blue flowing color. It’s a flowing ‘wet-in-wet watercolor’ style. The media is not watercolor but rather it is done permanent archival inks. The colored inks separate much like watercolor. The large amount of pigment in the colored inks move beautifully in water before it dries. www.carolskinger.com
Imaginary Landscape 08 by Carol Skinger

Horizontally divided abstract painting in 2 zones on paper. Above the horizon is a pink, brown and white flow. Below is stained in dark brown to lighter brown, to very pale. A thin horizontal zone of white separates the upper and lower zones. It’s a flowing ‘wet-in-wet watercolor’ style. The media is not watercolor but rather it is done permanent archival inks. The colored inks separate much like watercolor. The large amount of pigment in the colored inks move beautifully in water before it dries. www.carolskinger.com
Imaginary Landscape 09 by Carol Skinger

Imaginary Landscape 11 by Carol Skinger

Imaginary Landscape 12
Imaginary landscape 12

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